Latest articles
Lawrence Marcelle , Matthew Robb *
by
Abstract: Mainstream economic thought rests on a picture of human actors as rational, calculating, and selfish. Since the 1980’s, the sub-discipline of behavioral economics has challenged mainstream economic thought by revealing limitations in the ordinary person’s ability to reason as orthodox theory predicts. People’s choices are influenced by the manner in which options are presented. And since many of the choices people make involve basic dimensions of moral life, including the chooser’s autonomy and general welfare, the structuring of choice situations is an irreducibly ethical enterprise. These topics are explored in “nudge theory,” which represents an attempt to understand the implications of behavioral economics for people involved in the shaping of others’ decisions. Nudge theory proposes that professional designers should structure choice situations on behalf of others in a paternalistic way: leveraging the designers’ expertise and superior knowledge to promote outcomes that serve choosers’ long-term interests. In this paper, the co-authors agree that paternalism can be a valid approach to ethical design practice in a limited range of cases. But in general, the program of “libertarian paternalism” advocated by nudge theorists represents a failure of imagination that arbitrarily forecloses opportunities for collective decision-making and reinforces unhealthy social divisions. Instead, a greater sensitivity to the potential of design thinking, specifically its capacity to incorporate a wide range of heterogeneous factors and perspectives, is a key to the ethical deployment of nudges. Design itself is the best answer to the question: how can economic thought register the results of the behavioral sciences in a thoughtful, creative, and defensible way? Through a series of examples drawn from the literature, the co-authors present a design-based critique of nudge theory, illustrating the interdisciplinary potential of design and aspects of the role design thinking may play in creating more harmonious and unified societies.
Abstract: Design education is today fundamental to national prosperity. It is now considered a critical element of innovation strategy. Design education in India has witnessed exponential growth over the last fifteen years. The country’s young population is now open to exploring alternate careers and design has today emerged as a much-needed option for them. From only a handful of design institutes in the country until about 2004, many new design institutes have been created in the last one and a half decades. This trend is expected to continue. As design education expands in the country, efficiencies will have to be developed and maintained to uphold standards of quality. A variety of different programs with many variables involved - institutional approaches, curriculum, area of specialization, student-faculty ratio, graduate profile, etc. creates a sense of confusion among all its stakeholders. Over and above these, there is now a growing sense of dissatisfaction among industry about the skills and capabilities of the upcoming graduates of these design schools. The curriculum needs to be revised and updated to meet the expectations of the new-age digital and innovation economy. There is an urgent need to develop a broad framework and guidelines for design education in the country. Reforming and reinforcing design education would be the right beginning for India to maximize the benefits of design.
Shashank Mehta *
by
Abstract: The craftswomen in India started gaining remuneration for their work only in the post-independence era of the country. Despite this recognition, their invaluable role remains largely under-reported. Existing literature on India’s craft history often presents skewed perspectives that emphasize the role of the craftsmen, while overlooking the needs and challenges of the craftswomen. This paper aims to bridge this gap by exploring the under-represented narrative of craftswomen in India, through the lens of the banana fiber craftswomen of South India, that offers a distinct perspective. The craftswomen belonging to the banana fiber craft clusters of South India chose to learn this craft from their own willingness, rather than following familial traditions. Hailing from varied communities, they played pivotal roles in banana fiber craft production. This research compares insights gained through contextual inquiry conducted at multiple banana fiber clusters across South Indian states. This paper also delineates both conducive and obtrusive factors affecting banana fiber craftswomen. As design researchers in the craft sector, we see craftswomen as catalysts for grassroots level change. Therefore, we advocate for the rightful recognition of craftswomen as the fourth craftsperson of India. We also commend their inclusion in the broader craft and design discourse.
Nimmi Elizabeth-Thomas *,
Anooja J. ,
by
A. L. Abhirami
, Yishi Tan *
Wan-Li Wei
,by
Lates articles