Journal of Ancient Chinese Arts and Crafts (JACAC) is an international scholarly journal published by MSPL. JACAC impliments peer-reviewed, open access policy for original articles, and is published twice a year in both print and online formats.
JACAC is an academic platform dedicated to promoting the culture of ancient Chinese arts and crafts, including painting, sculpture, calligraphy, handicrafts and more. The main goal of JACAC is to share the culture, thought and theory of ancient Chinese arts and crafts, disseminate ancient brilliant achievements, promote the study of ancient culture, and strive to be a leader in these fields. In addition, JACAC is also a digital platform that promotes academic research and exchange.
Welcome researchers from different disciplinary perspectives to submit manuscripts in English.
Vol 2, 2024
JACAC 2024, 2(1), 16-27; https://doi.org/10.59528/ms.jacac2024.0401a5 - April 1, 2024
Jinqi Hu1 , Hong He2, Yi Song1 , Meng Liu1 *
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Latest articles
Zhenji He*
JACAC 2024, 2(1), 28-37; https://doi.org/10.59528/ms.jacac2024.0726a7 - July 26, 2024
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Abstract: The Records of Lacquering《髹饰录》was written in the Ming Dynasty, has been cited by Chinese and foreign researchers as the most classic text in the study of ancient Chinese lacquer art. The book was lost in China during the Qing Dynasty, and it was not until modern times that it was introduced back to China. In addition to the legendary circulation of the Records of Lacquering, the knowledge of ancient Chinese lacquer art recorded in this book is also invaluable. Huang Cheng (黄成), the author of the book, and Yang Ming (杨明), the annotator, are from Xin’an (新安), Anhui (安徽) Province, and Xitang (西塘), Zhejiang (浙江) Province respectively. Although they did not come from the same place and lived in different periods of time, with the frequent exchanges between craftsmen in the Jiangnan (江南) area in the late Ming Dynasty, and the continuous expansion of lacquer production, the related craft knowledge also circulated rapidly. Eventually, these two master lacquer carvers, though in different ages and places, had the opportunity to bring together various popular lacquer art knowledge, which led to the Creation of the Records of Lacquering. It played an invaluable role in the dissemination of traditional Chinese lacquer knowledge.
JACAC is a scholarly journal founded in July 2023, which is committed to high-quality, original research, and operates worldwide academic publishing with peer-review and open access (print and online simultaneous publication semi-annual issues).
Thematic research articles, literature reviews, and book reviews are the three types of original articles accepted by the journal. The subjects cover these fields of ancient Chinese painting, sculpture, calligraphy, handicrafts and so on. JACAC aims to share the arts and crafts culture, thought and theory of ancient China, disseminate the brilliant achievements of ancient Chinese arts and crafts culture, promote the study of ancient Chinese arts and crafts culture, and strive to be in the leading position in these fields. The primary goal of JACAC focuses on academic research rather than profit-making.
Submit your manuscript: jaca.editorialmanager01@gmail.com
See Instructions for authors for manuscript requirements.
February 22th, 2024
PUBLISHED BY MICHELANGELO SCHOLAR PUBLISH LIMITED
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Hong He *
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JACAC 2024, 2(1), 1-15; https://doi.org/10.59528/ms.jacac2024.0330a5 - March 30, 2024