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Thematic research articles, literature reviews, and book reviews are the three types of original articles accepted by the journal. The subjects cover these fields of ancient Chinese painting, sculpture, calligraphy, handicrafts and so on. JACAC aims to share the arts and crafts culture, thought and theory of ancient China, disseminate the brilliant achievements of ancient Chinese arts and crafts culture, promote the study of ancient Chinese arts and crafts culture, and strive to be in the leading position in these fields. The primary goal of JACAC focuses on academic research rather than profit-making.The Journal of Ancient Chinese Arts and Crafts (JACAC) aims to provide a comprehensive and scholarly platform for the exploration, preservation, and promotion of ancient Chinese artistic and artisanal traditions. By fostering interdisciplinary research, disseminating knowledge, and engaging a global audience, JACAC seeks to enrich our understanding of China's cultural heritage and inspire future generations of scholars, artists, and enthusiasts.
Spanning from Neolithic periods through the Qing Dynasty, JACAC examines diverse artistic expressions including ceramics, jade carving, bronze work, textiles, calligraphy, painting, and architectural elements. Our peer-reviewed articles emphasize material analysis, historical context, cultural significance, technique evolution, and the relationship between artisanal practices and broader societal developments.
The journal welcomes contributions from art historians, archaeologists, anthropologists, conservators, and practitioners, encouraging methodological innovation and cross-cultural perspectives. Through rigorous scholarship, JACAC strives to illuminate the ingenuity, aesthetic sensibilities, and technical mastery that characterize China's artistic legacy while exploring its contemporary relevance and global influence.
JACAC particularly values research that employs advanced analytical techniques, including spectroscopy, radiography, and microscopy, to reveal previously unknown aspects of ancient craftsmanship. We also prioritize studies that connect material evidence with historical texts, providing a more complete understanding of traditional knowledge systems and their transmission across generations.
Beyond scholarly inquiry, the journal serves as a vital resource for contemporary conservation efforts, documenting endangered techniques and advocating for their preservation. We highlight the challenges facing cultural heritage preservation in a rapidly changing world and showcase innovative solutions from institutions, communities, and individual practitioners around the globe.
JACAC actively bridges traditional disciplinary boundaries, exploring intersections between art, technology, philosophy, and social history. By examining how artistic traditions reflected and shaped Chinese cultural identity throughout different historical periods, the journal contributes to broader conversations about cultural heritage, identity formation, and the enduring power of material culture to connect past and present.
Submitting your manuscript
Email:jaca.editorialmanager01@gmail.com; jacac-editor@michelangelo-scholar.com
JACAC provides a valuable resource for scholars and researchers specializing in ancient Chinese arts and crafts, offering access to cutting-edge research and scholarly analysis. Academic institutions worldwide rely on our journal for authoritative content that advances understanding in this specialized field.
Museum curators rely on JACAC to stay informed about the latest discoveries and interpretations in the field, enhancing their ability to present and interpret ancient Chinese art. Our research supports exhibition development and educational programming at cultural institutions globally.
Art collectors benefit from JACAC's scholarly insights, enhancing their understanding and appreciation of ancient Chinese art and craft objects. Our journal helps collectors make informed decisions about acquisitions and better understand the cultural and historical significance of their collections.
Conservation specialists and restoration experts consult JACAC for historical techniques and materials analysis that inform their preservation work with ancient Chinese artifacts. Our detailed studies of traditional methods provide crucial information for authentic conservation practices.
Art history students and educators use JACAC as a primary learning resource, accessing specialized knowledge that enriches curricula and inspires new generations of scholars. The journal bridges theoretical understanding with practical explorations of ancient Chinese artistic traditions.
Heritage management professionals utilize JACAC's research to inform policy decisions and preservation strategies for cultural sites and artifacts. Our interdisciplinary approach supports the complex work of safeguarding China's artistic legacy for future generations.
JACAC serves a broad and diverse audience, from scholarly and museum professionals to collectors, conservators, students, and cultural heritage experts. Our content appeals to anyone seeking a deeper understanding and appreciation of ancient Chinese culture, whether for professional purposes or personal enrichment. The journal also attracts international readers interested in cross-cultural exchange and the global significance of Chinese artistic traditions.
Through digital access and translations of key articles, we continue to expand our readership beyond traditional scholarly circles, fostering greater public engagement with China's rich artistic heritage while maintaining scholarly rigor and integrity.